Tag: www.riovida.net

  • Artist Highlight – Frankye Kelly

    Frankye Kelly – photography Jim Dennis 

    “Music makes people feel! That’s what it’s all about.”
    — Frankye Kelly 

    When people hear Frankye Kelly sing – they understand first hand what a true Diva is all about. Listening to her perform makes you feel like you are in the presence of true greatness. Her passion and sweetness comes across in some songs, her passion and strength in others and at all times it is performed with true class. 

    It was obvious from an early age that Frankye Kelly would be a singer. Living in Jackson, Mississippi for a few years with her grandparents, she remembers performing in a play when she was just three. Since her father was in the Air Force, her childhood was spent living in many different locations including California, Minnesota, Germany and Delaware and back to California. She heard the music of Duke Ellington, Count Basie and Sarah Vaughan along the way as well as Fats Domino and Little Richard although most of her early singing was in church, acapella groups and choirs. She got married very young and devoted herself to her children until they were grown. 

    After her children were grown Frankye Kelly decided to start performing jazz. At a family reunion Frankye received important guidance from her cousin, the late great blues master Albert Collins, click to see U-tube Albert Collins famous “Iceman” performance. The main thing Albert told her is that it is up to her to please and reach her audience, and he told her to always sing what she felt. He flew Frankye Kelly to a lot of his concerts to have her experience life of a musician and to see what is was like. She saw how hard he worked and was inspired.

    Nine years after Frankye had moved to San Francisco, in 1989, Frankye Kelly pursued her dream of being a jazz singer. She explained: “I wanted to sing jazz because of its freedom and because that way I could express myself the way I wanted. I studied jazz not only to learn the music but to learn about myself. I didn’t want to listen too closely to singers because I didn’t want to copy anyone, so instead I listened constantly to Miles Davis. I always loved the way he played. He would take his time, not rushing into it, and he played with a lot of feeling.” 

    Frankye has recorded three CDs: The Night is Young was recorded at Kimball’s West and showed those at the time who were unfamiliar with her just how talented a jazz singer she is, serving as a strong introduction. My Life, More Than It Is: Not Just the Blues is an appealing mixture of pop, blues, R&B and jazz, displaying a great deal of variety but staying consistently rewarding. Her most recent CD, Live at Yoshi’s, Frankye Kelly Sings Songs For My Father, was recorded on several occasions at Yoshi’s Jazz House, and is a collection of some of her favorite jazz songs. It is dedicated to her father who was at all of the sessions and has since passed away.

    Frankye Kelly will be leaving for Thailand for a four month tour next month. We are fortunate to have this living legend chose the Bay Area as her home. In 2006, Frankye Kelly spent six months singing in China, performing in Shanghai during a pair of lengthy visits. She regularly performs in France, Mexico, Japan and China and throughout the US. She has sung at many jazz festivals including the San Francisco Jazz Festival, the San Jose Jazz Festival and the Fillmore Jazz Festival. Frankye Kelly has performed in the Bay Area at Yoshi’s, “Top of the Mark” at the Mark Hopkins Hotel (with pop superstar Ricardo Scales), Jazz at Pearl’s, Kimball’s East, Kimball’s West and at the Ritz Carlton Hotels.

    Frankye Kelly is a busy woman aside of touring and performing locally, she teaches Jazz workshops in Napa, CA and France, spends time with young girls in the community, hosts a TV show “Jazz with Frankye” now in its 10th season, watch her interview with another Bay Area Great – Wayne Wallace. 

    Frankye Kelly often performs at the prestigious JAZZschool in Berkeley, CA. 

  • Frank Martin, Head of the UC Jazz Advanced Combo I

    Frank Martin - Arranger/Conductor/Keyboardist

     Arranger/conductor/keyboardist Frank Martin has performed and/or recorded with a variety of artists that include Andrea Bocelli, Sting, Stevie Wonder, Elton John, Steve Winwood, Whitney Houston, Ray Charles, Diana Ross, Chris Isaak, Tevin Campbell, Cheryl Crow, Philip Bailey, James Taylor, Joe Cocker, Billy Joel, and Madonna.

    In the jazz world of music his performance credits include Flora Purim & Airto Moriera, Herbie Hancock, John McLaughlin, Narada Michael Walden, Stanley Jordan, Dizzy Gillespie, Mel Torme, Bobby McFerrin, John Handy, Ramsey Lewis, Joe Farrell, and the Slide Hampton Big Band.
    Orchestra performances included concerts with the San Francisco Symphony, San Francisco Chamber Orchestra, and the Orchestra of St. Lukes (New York Philharmonic Orchestra).

    As a producer he has worked with such artists as Al Jarreau, Lisa Fischer, Bobby McFerrin’s Voicestra, the Award Winning A Cappella group SoVoSo, Gospel vocalists NuVision, story telling Jazz vocalist Rhiannon, Jazz guitarist Mimi Fox featuring organist Joey DeFrancesco and vocalist Angela Bofill, jazz vocalist Karin Blixt featuring Buddy Montgomery, Russell Ferrante, Bruce Forman, Alex Acuna, and William Kennedy, as well as Dutch vocalist Ellen Honert featuring Dori Caymmi, Abraham Laboriel, Turtle Island String Quartet, Tuck & Patti, and Pedro Eustache.

    As Musical Director he has toured with such artists as Patti Austin, Angela Bofill, Narada Michael Walden, Mickey Thomas, Roy Ares, Tevin Campbell, and Clarence Clemens.

    For two years he also worked as assistant Musical Director for The Afternoon Show on KPIX Television in San Francisco, California. Currently on staff as an educator at the Jazzschool in Berkeley, California, he is in demand as a clinician both in the United States, having taught at the Naropa Institute in Boulder Colorado, Stanford Jazz Workshops at Stanford University, as well as in Europe at the acclaimed SAMI Institute in Sweden. Annual music summer camps include JazzCampWest and the Lafayette Summer Music Workshops.

  • Frank Martin

    Frank Martin infuses the Advanced Combo I with the professionalism and creativity he is so famous and beloved for.

    Frank Martin is a great performer and a wonderful teacher. A wide range of compositional techniques and musical devices are explored and applied to class assignments including: the use of different rhythmic feels and grooves; reharmonization; form changes; innovative intros, outros, codas and vamps; and alterations to melody and lyrics. Students sing and/or play selected repertoire in a variety of styles and learn how to make even the most common standards sound new. Read feature article about Frank Martin

    In the News 

    Frank Martin Keyboard virtuoso/arranger/musical director Frank Martin has amassed a very impressive track record working with world-class performers in a diverse array of musical styles. In the pop arena, Martin has performed and/or recorded with stars that include Sting, Stevie Wonder, Elton John, Steve Winwood, Whitney Houston, Ray Charles, Diana Ross, Chris Isaak, Andrea Bocelli, Cheryl Crow, Philip Bailey, James Taylor, Joe Cocker, Billy Joel, Madonna and Ricki Martin. In the jazz world, his performance credits include Flora Purim & Airto Moriera, Herbie Hancock, John McLaughlin, Dizzy Gilespie, Mel Torme, Bobby McFerrin, John Handy, Ramsey Lewis, Joe Farrell and the Slide Hampton Big Band. Orchestra performances have included concerts with the San Francisco Symphony, San Francisco Chamber Orchestra and the “Orchestra of St. Lukes” (New York Philharmonic Orchestra). 

    As a producer, he has worked with high-profile artists such as Al Jarreau, Bobby McFerrin’s “Voicestra,” SoVoSo,” Joey DeFrancesco and Alex Acuña, Jazz guitarist Mimi Fox, vocalist Angela Bofill and the Turtle Island String Quartet. As musical director, he has toured with such artists as Patti Austin, Angela Bofill, Narada Michael Walden, Mickey Thomas, Roy Ayres, and Clarence Clemens. Currently, Martin is on staff at the University of California in Berkeley as well as the Jazzschool in Berkeley, California. He is in demand as a clinician both in the United States and in Europe. 

    Great musicians make What’s New, Pussycat? come alive and help Lisa B keep the atmosphere fun and swinging. Ben Flint’s keyboards on the first two tracks help set the tone, and Frank Martin’s clever piano playing on the rest of the disc complements Lisa B’s singing perfectly (check out the electric piano in “Cha Cha de la Gata (Kitty-Cat Cha)”). The recording is vibrant and detailed. What’s New Pussycat? is fun, impressively played and sung, and, yes, very sexy.” SoundstageAV.com, Joseph Taylor

    Frank Martin’s “In the Pocket” class on rhythm is super-fun. You’ll be on your feet and moving. Frank gives enough handouts that you’ll have two years’ worth of practice materials by the end of the class. Student on yelp.com 2009 

    Multi-Platinum record winner, composer/keyboardist Frank Martin has performed his edgy-jazz style with everyone from Dizzy Gillespie to Sting and Elton John. Count on hearing a jazz trio of the highest of caliber — pushing the limits of harmony and improvisation in modern jazz expressions. http://www.sanjosejazz.org 

    Frank Martin’s clever piano playing on the rest of the disc complements Lisa B’s singing perfectly (check out the electric piano in ‘Cha Cha de la Gata (Kitty-Cat Cha)’). The recording is vibrant and detailed. ‘What’s New Pussycat?’ is fun, impressively played and sung, and, yes, very sexy.” Radio stations across the country have jumped on the record. www.jazz review.com 

    Convergence by Ian Dogole & Hemispheres offers up a kaleidoscopic brew of innovative, adventurous Jazz spiced with flavors from around the globe. Blending African, Middle Eastern, Asian and South American instruments with more traditional Jazz instrumentation and song forms, percussionist Ian Dogole, along with Grammy-nominated woodwind virtuosi Paul McCandless (with Oregon) and Sheldon Brown (formerly with Omar Sosa), bassist/flutist Bill Douglass (with Marian McPartland and Mose Allison), and Frank Martin take their listeners on an unforgettable aural journey that it is simply out of this world. www.jazzheads.com 

    Keyboard virtuoso/arranger/musical director Frank Martin has amassed a very impressive track record working with world-class performers in a diverse array … www.jazzheads.com 

    “Jazzmérica,” is produced by three-time Grammy nominee Wayne Wallace and boasts an all-star band including Frank Martin, John Santos, Ricardo Peixoto, Michael Spiro, Paul Van Wangeningen, David Belove, Edgardo Cambón, Melecio Magdaluyo and many others. 

    Convergence by Ian Dogole & Hemispheres offers up a kaleidoscopic brew of innovative, adventurous Jazz spiced with flavors from around the globe. Blending African, Middle Eastern, Asian and South American instruments with more traditional Jazz instrumentation and song forms, percussionist Ian Dogole, along with Grammy-nominated woodwind virtuosi Paul McCandless (with Oregon) and Sheldon Brown (formerly with Omar Sosa), bassist/flutist Bill Douglass (with Marian McPartland and Mose Allison), and Frank Martin take their listeners on an unforgettable aural journey that it is simply out of this world. www.jazzheads.com 

    Keyboard virtuoso/arranger/musical director Frank Martin has amassed a very impressive track record working with world-class performers in a diverse array … www.jazzheads.com 

    Read feature article about Frank Martin 

    Created for the UC Jazz Club by RioVida Networks, LLC ©

  • Artist Highlight – Dann Zinn

    Dann Zinn teaches saxophone and leads the UC Jazz Intermediate Combo III Ensemble

    Dann Zinn https://www.dannzinn.com/
    Dann Zinn https://www.dannzinn.com/

    Dann Zinn plays saxophones, flutes, and various ethnic flutes. He has recorded or performed with Joe Henderson, Russell Ferrante (from The Yellow Jackets), Chuck Findley (The Tonight Show), Jeff Tain Watts, Freddie Hubbard, Mary Wells, and Martha and the Vandellas, among many others. 

    Dann’s first solo album of original music, Ten Songs, has garnered critical acclaim through the U.S. and Europe from publications such as Jazz Times and JazzIz. Current projects include original world fusion band Jack, jazz group The Deadly Zinns, and free improv band Spontanous Burstation. 

    Dann Zinn performs and teaches a blend of processed and original jazz and world music

    He tours throughout the U.S., Canada, and Mexico. Locally, he has been featured at the Monterey Jazz Festival, San Francisco Jazz Festival, San Jose Jazz Festival, Yoshi’s Nightspot, and the Kuumbwa Jazz Center among countless others.  

    His first solo recording of original music, Ten Songs, has garnered critical acclaim throughout the U.S. and Europe from such prestigious publications as Jazz Times and JazzIz. Other performances include numerous television, radio, and multi media projects, such as Tiger Woods and John Madden video games, Kangaroddy children show on PBS, and a Willie Mays special on CBS. 

    He is also working on a series of tone and technique books which present various systems for organizing scales and related subjects.

    In addition to teaching the UC Jazz Intermediate Combo III, Dann has taught saxophone, big bands, jazz combos, history of jazz, history of rock and roll, music appreciation, and applied woodwind classes at Cal State University, East Bay for ten years. He is also on the faculty of the Dave Brubeck Institute and the Jazz School. Dann has received two teacher recognition awards from the National Foundation for Advancement in the Arts, and has been selected for inclusion in Who’s Who Among America’s Teachers, 2005.Current projects include original world fusion band Jack, jazz group The Deadly Zinns, and free improv band Spontanous Burstation.