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Sunday Aug 21, Maria, Maria Cantina, 1470 North Broadway, Walnut Creek, approx 2-5pm. Enjoy a Mexican brunch and Rolando performing on the newly renovated front patio on solo guitar and voice by the creek. If it’s too hot, it will be indoors. He may be joined by Bob Harrison on flute. www.mariamariarestaurants.com, (925) 946-1010.
This book was published originally in 1981 and since has been translated into 18 languages. It has been taught on several Universities including Harvard and Colorado University. Roger Fisher, a Williston Professor of Law Emeritus at Harvard University died at 90 years of age in Hanover on August 25th, 2012. For over 40 years, he served as a professor at Harvard, where he established conflict resolution and negotiation as single field deserving academic study. Fisher joined the Harvard Law School faculty in 1958 and became a full professor of law in 1960. In 1976, he became the Samuel Williston Professor of Law. In 1992, he was named a professor emeritus. He also taught at the Harvard Kennedy School of Government, the London School of Economics, the Naval War College, Air War College, and the NATO Defense College.
The Harvard Gazette reported that Fisher told Ury that he liked his (Ury’s) paper so much he sent it to the assistant secretary of state for the Middle East, and wanted Ury to work with him.
“I was stunned. Never had I expected a professor to call me up, let alone invite me to collaborate, or see one of my ideas offered up for practical application,” said Ury. “Roger introduced me to the field of negotiation, taught and mentored me, and shaped my career more than anyone. It would be impossible for me to imagine my work without the inspiration and influence of Roger Fisher.“ Full article
The New York Times reported in his obituary: “In 1979, Secretary of State Cyrus R. Vance went to Professor Fisher’s house on Martha’s Vineyard before the meeting at Camp David that would lead to a peace agreement between Egypt and Israel. Professor Fisher suggested to Mr. Vance the “single negotiating text” method that was used to bring the parties together, said Bruce M. Patton, who wrote “Getting to Yes” with Professor Fisher and worked on many diplomatic projects with him. The strategy involved having President Jimmy Carter alone be responsible for writing solutions and letting the other leaders shape the treaty through a back-and-forth critiquing process.” Full article
The was the son of Katharine Dummer Fisher and William T. Fisher who each are descendants of prominent families in the legal profession. The ancestors of his mother were in the circle of Abraham Lincoln and his grandfather William T. Fisher advised Tuft as his secretary of the interior.
It is said that Roger Fisher’s passion for conflict resolution derived of the fact that four out of his eight college friends passed away during the World War II. Early on he decided to devote his life to find a way to prevent conflict and wars.
“We aren’t likely to see a recording career like this again.”
— The New York Times
“…his voice is still a technical marvel, and no one else on Earth can make a lyric written eight decades ago sound as natural as a conversation at a coffee shop.”
— New York Magazine
No one else in popular American music has recorded for so long and at such a high level of excellence as Tony Bennett. In the last ten years alone he has sold ten million records. The essence of his longevity and high artistic achievement was imbued in him in his loving childhood home in the Astoria section of Queens where he was born on August 3, 1926. His father died when Tony was 10 and his mother, Anna, raised Tony and his older brother and sister, John and Mary, in a home surrounded by loving relatives who were Tony’s first fans filling him with encouragement and optimism. He attended the High School of Industrial Arts in Manhattan, where he continued nurturing his two passions, singing and painting. From the radio he developed a love of music, hearing Bing Crosby, Louis Armstrong, and James Durante.
As a teenager Tony sang while waiting on tables, and then enlisted in the Army during World War II. While in Europe he performed with military bands. He later had vocal studies at the American Theatre Wing School. The first time Bennett sang in a nightclub was in 1946 when he sat in with trombonist Tyree Glenn at the Shangri-La in Astoria. Bennett’s big break came in 1949 when comedian Bob Hope noticed him working with Pearl Bailey in Greenwich Village in New York City. As Bennett recalls, “Bob Hope came down to check out my act. He liked my singing so much that after the show he came back to see me in my dressing room and said, ‘Come on kid, you’re going to come to the Paramount and sing with me.’ But first he told me he didn’t care for my stage name (Joe Bari) and asked me what my real name was. I told him, ‘My name is Anthony Dominick Benedetto’ and he said, ‘We’ll call you Tony Bennett.’ And that’s how it happened. A new Americanized name—the start of a wonderful career and a glorious adventure that has continued for over 60 years.”
With millions of records sold worldwide and platinum and gold albums to his credit, Bennett has received seventeen Grammy Awards—including a 1995 Grammy for Record of the Year for his “MTV Unplugged” CD, which introduced this American master to a whole new generation—and the Grammy Lifetime Award. His 2007 prime-time special, “Tony Bennett: An American Classic,” won seven Emmy Awards. His initial successes came via a string of Columbia singles in the early 1950’s, including such chart-toppers as “Because of You,” “Rags to Riches,” and a remake of Hank Williams “Cold, Cold Heart.” He had 24 songs in the Top 40, including “I Wanna Be Around,” “The Good Life,” “Who Can I Turn To (When Nobody Needs Me)” and his signature song, “I Left My Heart In San Francisco,” which garnered him two Grammy Awards.
Tony Bennett is one of a handful of artists to have new albums charting in the 50’s, 60’s, 70’s, 80’s, 90’s, and now in the first two decades of the 21st century. He has introduced a multitude of songs into the Great American Songbook that have since become standards for pop music. He has toured the world to sold out audiences with rave reviews whenever he performs. Bennett re-signed with Columbia Records in 1986 and released the critically acclaimed The Art of Excellence. Since his 1991 show-stopping performance at the Grammy Awards of “When Do The Bells Ring For Me,” from his Astoria album, he has received a string of Grammy Awards for releases including Stepping Out, Perfectly Frank, and MTV Unplugged.
In the new millennium, Bennett’s artistry and popularity was higher than ever. In 2006, the year of his 80th birthday, his Duets: An American Classic was released. The album—which included performances with Paul McCartney, Elton John, Barbra Streisand, Bono, and others—won three Grammy Awards and went on to be one of the best selling CDs of the year and Tony’s career. Bennett’s first Duets album also inspired the Rob Marshall-directed television special Tony Bennett: An American Classic which won seven Emmys making it the most honored program at the 2007 Emmy Awards.
In celebration of his 85th birthday in 2011, the release of Bennett’s highly anticipated Duets II featured Tony performing with a new roster of celebrated artists including the late Amy Winehouse (her last recording was their duet of “Body and Soul”), Michael Bublé, Aretha Franklin, Josh Groban, Lady Gaga, John Mayer, and many others. Duets II debuted at #1 on the Billboard Album charts, making Tony the only artist at the age of 85 to achieve this in the history of recorded music. Bennett won two Grammys for Duets II in the 2012 Grammy ceremony and this year marked the 50th Anniversary of the recording and release of his signature song, “I Left My Heart in San Francisco.” A documentary entitled THE ZEN OF BENNETT, which was created and conceived by Danny Bennett, Tony’s son and manager, was premiered at the Tribeca Film Festival in 2012. At the end of 2012, Bennett also authored his fourth book, the New York Times bestseller, LIFE IS A GIFT, which highlights his personal philosophies learned throughout his life and career.
Tony Bennett became a Kennedy Center Honoree in 2005, was named an NEA Jazz Master in January of 2006, a Citizen of the World award from the United Nations and a Billboard Magazine Century Award in honor of his outstanding contributions to music. Tony Bennett is a dedicated painter whose interest in art began as a child. He continues to paint every day, even as he tours internationally. He has exhibited his work in galleries around the world. The United Nations has commissioned him for two paintings, including one for their 50th anniversary. His original painting, “Homage to Hockney,” is on permanent display at the Butler Institute of American Art and the landmark National Arts Club in New York is home to Tony’s painting “Boy on Sailboat, Sydney Bay.” Three of his paintings are part of the Smithsonian Museums permanent collections including his portrait of his friend Duke Ellington that became part of the National Portrait Gallery’s collection in 2009.
Throughout his career, Tony Bennett has always put his heart and time into humanitarian concerns. He has raised millions of dollars for the Juvenile Diabetes Foundation, which established a research fund in his name. His original paintings each year grace the cover of the American Cancer Society’s annual holiday greeting card, proceeds from which are earmarked for cancer research. He is active in environmental concerns and social justice. He marched with Dr. King in the historical Selma to Montgomery Civil Rights movement and the Martin Luther King Center in Atlanta bestowed upon him their “Salute to Greatness Award” for his efforts in fighting racial discrimination.
In 1999, Tony Bennett, with his wife Susan Benedetto, a former public school teacher, founded Exploring the Arts (ETA) to strengthen the role of the arts in public high school education. ETA connects private funders, individual artists, and cultural institutions to Partner Schools to achieve greater equality of resources and opportunity for youth of all means and backgrounds. ETA programs are designed to help school principals and teachers sustain the arts in the face of budget cuts and better leverage the arts to strengthen student learning and engagement. ETA’s first endeavor was the establishment of Frank Sinatra School of the Arts (FSSA), a public high school founded in 2001 by Tony and Susan in partnership with the NYC Department of Education. FSSA is housed in a newly constructed building in Tony’s hometown of Astoria, Queens. Its state of the art facilities include visual art studios and a gallery, black box theatres and a stagecraft workshop, dance studios, choral and orchestral classrooms, an 800-seat concert hall, a multi-media technology lab, and a rooftop performance garden. All students major in Dance, Theatre, Film, Fine Art, Vocal or Instrumental Music. FSSA also offers a rigorous academic curriculum and holds one of the highest graduation and college enrollment rates for NYC public high schools. ETA continued beyond its commitment to FSSA to expand their support and to date, ETA currently partners with 17 public high schools—14 in all five boroughs of New York City and 3 schools located in East Los Angeles.
Today Tony Bennett’s artistry and accomplishments are applauded here at home and all over the world from people from 12 to 90 years old. Recently former President Bill Clinton observed, “Now in his seventh decade of singing, Tony Bennett has somehow kept his unique voice, with its beauty and range, its strength and style, and still in perfect pitch. But as talented as he is, Tony’s most impressive quality is his giving spirit!”
Help Tony Bennett, on his birthday to keep giving he gift of Art. exploringthearts.org
Enjoy this amazing show of this incredible life. It is long and so, so rich.
TTIP is negotiated by officials who were not voted for and who wish to oppress local populations for big business. It provides permission for big multi national companies to sue local populations if they are against these poisons. Big business at its most offensive level since the Oligarch era of days past.
These offensive practices are already happening on a wide scale with big business oppressing third world countries. Now these offensive companies want to oppress all European countries.
Tobacco companies were limited from advertising in the US lowering he rate of smokers to 18% of the US populations, down from a high of 48%.
So they moved their business to third world countries. They started to sue small countries insisting by removing warning labels. This is what the TTIP and the TTP is all about. Giving corporations free reign pretending that they are fighting China has nothing to do with free trade. World populations need to step up and get informed.