Category: Causes

  • What is the Trump phenomena about?

    What is the Trump phenomena about?

    http://www.bbc.com/news/election-us-2016-36253275Why do rural blue color workers and rural college educated people love Trump?

    The Guardian’s Thomas Frank, pointed out on March 7, 2016:  “..what motivates the supporters of Republican presidential candidate Donald Trump? I call it a “mystery” because the working-class white people who make up the bulk of Trump’s fan base show up in amazing numbers for the candidate, filling stadiums and airport hangars, but their views, by and large, do not appear in our prestige newspapers. On their opinion pages, these publications take care to represent demographic categories of nearly every kind, but “blue-collar” is one they persistently overlook.” Full Article

    The Atlantic Monthly received letters from a range of people who support Trump for president in August 2015.  The reasons they quote are similar:

    A self proclaimed Liberal who voted for Obama wrote: “Rather, I genuinely believe that Trump feels the need to fight for the country he loves. There once was a time when people could actually feel proud to be Americans, and Trump comes from a generation that experienced that feeling. Now, many are embarrassed to be associated with this country. Jobs are being outsourced with reckless abandon and this country is literally being hollowed out. Economic statistics do no justice to this reality, and the average American knows this to be true.”

    An undecided voter writes: “..the preeminence of political correctness among the culture class indicates a momentous shift away from formerly prominent middle-class cultural values and towards something entirely different. Even if Donald Trump were to accomplish little in his presidency, I think there is a hope that were he president, he could in some way alter that prevailing Washington/media culture and set a new cultural tone. Many would probably question why, of all people, a decadent, rude, and pompous billionaire should be trusted to meddle with American culture? I think it comes down to a perception that America has already drowned in a post-modernist nightmare of moral relativism, from which extreme political correctness and protest culture stem. Trump, on the other hand, is all absolutes.”  Full Article

    Kathy Kramer shared with Kevin Drum in an interview for Mother Jones, November 8, 2016, that her political science study showed this:

    “What I was hearing was this general sense of being on the short end of the stick. Rural people felt like they not getting their fair share. That feeling is primarily composed of three things. First, people felt that they were not getting their fair share of decision-making power….Second, people would complain that they weren’t getting their fair share of stuff….And third, people felt that they weren’t getting respect….So it’s all three of these things — the power, the money, the respect. People are feeling like they’re not getting their fair share of any of that.” Full Article

    So let’s take a close look and let’s see if what they feel is true.

    The Brookings Institute states that Republican States have more entrenched poverty than Democratic States. Republican districts have more poor residents overall: 25.1 million poor people lived in red districts in 2010-14 compared with 22.7 million in blue districts.

    Between 2000 and 2010-14, the poor population grew faster in red districts than blue. The number of people living below the poverty line (e.g., $24,230 for a family of four in 2014) in Republican districts climbed by 49 percent between 2000 and 2010-14 compared with a 33 percent increase in Democratic districts. As a result, Republican districts accounted for 60 percent of the increase in the nation’s poor population during that time. At the same time, poverty rates rose by similar margins in both red and blue districts (3.3 and 3.2 percentage points, respectively).

    Table 1. Congressional Districts with the Fastest Growth in Poor Population, 2000 to 2010-14

    Party State District Representative Percentage Change in Poor Population   Share of Poor in Suburbs
    R NV 3 Heck, Joseph J. 268.4% 51.0%
    R GA 7 Woodall, Rob 223.6% 100.0%
    D GA 13 Scott, David 213.1% 100.0%
    R AZ 8 Franks, Trent 188.5% 93.5%
    R AZ 5 Salmon, Matt 177.7% 50.4%

    Source: Brookings Institution analysis of decennial census and American Community Survey data

    Hunger in Rural Communities is higher than Urban

    According to the United States Department of Agriculture report, Household Food Security in the United States in 2014, 14% of U.S. households were food insecure at least some time during the year. The prevalence of food insecurity was higher in rural areas than metropolitan areas.

    Food Insecure Households

    Source: Household Food Security in the United States in 2015, page 14.

    The Digital Divide created by lack of Internet Access

    55 percent of people living in rural areas have access to the speeds that currently qualify as broadband, while 94 percent of the urban population does. As of 2015, 74 percent of households in urban areas of the U.S. had residential broadband connections, compared with only 64 percent of rural households. This gap has persisted over time. Research reveals that  adoption can help improve the economy in these rural areas (including increasing income, lowering unemployment rates and creating jobs). In addition, we know that roughly 40 percent of the rural-urban adoption gap is because rural areas don't have the same level of broadband access. This is because large providers are not interested in serving these communities and in some instances have refused Federal Subsidies to get rural communities connected. 
    
    

    Source:  http://phys.org/news/2016-06-technology-rural-broadband-access-problem.html#jCp

    Suicides in Rural Areas are double of those than in Cities

    A study by the JAMA states that Suicide is a serious public health problem. For youths between the ages of 10 and 24 years, suicide was the third leading cause of death in 2010 behind only unintentional injuries and homicide.1 Males are at higher risk, accounting for 81% of suicide deaths in the 10- to 24-year age group. Suicide risk increases with age, with 6% occurring in individuals younger than 15 years, 34% in those between 15 and 19 years, and 60% in young adults aged 20 to 24 years.1

    Rates of suicide also vary by rural-urban residence, with higher rates in rural compared with urban areas. Suicide rates among rural men were higher than those of urban men, with rural-urban differences widening over time. Higher rates of suicide attempts have also been reported8 among rural compared with urban adolescents. The studies conclusion stated Although low population density per se may be operative, efforts to improve access to mental health services and offer social support at the local level could narrow the gap in risk for youths in rural as opposed to urban settings. Additional study is warranted and of potentially great public health significance. Full Article

    Rural communities as our research shows are genuinely struggling with problems that are not adequately addressed by neither the major political parties nor the major media outlets.  It seems that one of Trump’s appeal is that at least give this audience the feeling they are seen and heard. While this does not qualify him to do anything about the issues he has succeeded in mobilizing millions of Americans to vote for him to “stick it to the elite.”  Rural people are angry for having been ignored as their lives have grown ever more depressing. Trump has pulled them out of this feeling of helplessness and he has unleashed their anger.

    Next we will investigate why a supposedly educated people would vote for Trump.

  • Does ending forced labor (slavery) interfere with maintaining free markets? Should 21,000,000 lives matter.

    Force Labor today - 2016
    Force Labor today – 2016

    It is amazing that we are “still” talking about this, right?   Jewish slaves that were forced to work for Germans, Japanese slaves that were forced to work in American camps, and Australian slaves had at minimum an “official” apology.  Some even received reparation payments for the maltreatment and theft their forefathers have experienced.  The “Black Lives Matters” recently put reparation payments for the descendants of American owned slaves back on the national agenda.  They are trying anyway.

    A lot of people are so tired for those ancient stories.  Yet unfortunately they are not ancient stories they are current and very much part of the 21st Century stories.  According to the International Labor Organization approximately 21,000,000 slaves are alive today.  Yes, today!

    Anti-slavery.org educates us that even today:

    There are many different characteristics that distinguish slavery from other human rights violations, however only one needs to be present for slavery to exist. Someone is in slavery if they are:

    • forced to work – through mental or physical threat;owned or controlled by an ’employer’, usually through mental or physical abuse or the threat of abuse;
    • dehumanized, treated as a commodity or bought and sold as ‘property’;
    • Contemporary slavery takes various forms and affects people of all ages, gender and races.
  • Rolando Morales performing for Sionfonds for Haiti Party & Fund Raiser to Support Children & Their Families in Haiti on Sunday, September 25 at Venga Paella

    Rolando Morales performing Sionfonds Fundraiser for Haiti Families at Paella Venga on Sunday, September 25, 2016
    Rolando Morales performing Sionfonds Fundraiser for Haiti Families at Paella Venga on Sunday, September 25, 2016

    Sunday Sept 25, “Sionfonds for Haiti Presents: Party & Fund Raiser to Support Children & Their Families in Haiti,” Venga Paella, 229 Brush Street (at 3rd St.), Oakland 4 to 8pmRolando lends a hand to some dear friends in their mission to provide education, nutrition, job training, community improvements and health care to rural Haitian families.  Enjoy a great party at this cool Oakland spot that will serve up a splendid paella dinner and drinks.  Bring a friend and meet smart, fun, caring people while Rolando Morales provides live entertainment on solo guitar and voice.  Bid for unique local and Haitian crafts and amazing services you’ll want, such as Haitian crafts, catered dinners with live music with Rolando Morales and more!  $45 includes dinner. http://www.pingg.com/rsvp/pk8a76g22yq3zbkhp

    Enjoy fundraiser to assist kids like this cute little girl.
    Enjoy fundraiser to assist kids like this cute little girl.

    Sionfonds supports Haitian Families, through education, opportunity and healthcare. All of our programs are conceived and implemented by Haitian families, teachers, doctors, farmers, social workers and community leaders. When appropriate we bring visitors from outside Haiti to share their skills and expertise in order to further the cause of Haitian autonomy. Learn more by visiting Sionfonds.org.

  • Artist Highlight – Tony Bennett

    Tony Bennett Happy Birthday
    Tony Bennett Happy Birthday

    “We aren’t likely to see a recording career like this again.”
    — The New York Times

    “…his voice is still a technical marvel, and no one else on Earth can make a lyric written eight decades ago sound as natural as a conversation at a coffee shop.”
    — New York Magazine

    Happy Birthday Tony Bennett

    No one else in popular American music has recorded for so long and at such a high level of excellence as Tony Bennett. In the last ten years alone he has sold ten million records. The essence of his longevity and high artistic achievement was imbued in him in his loving childhood home in the Astoria section of Queens where he was born on August 3, 1926. His father died when Tony was 10 and his mother, Anna, raised Tony and his older brother and sister, John and Mary, in a home surrounded by loving relatives who were Tony’s first fans filling him with encouragement and optimism. He attended the High School of Industrial Arts in Manhattan, where he continued nurturing his two passions, singing and painting. From the radio he developed a love of music, hearing Bing Crosby, Louis Armstrong, and James Durante.

    As a teenager Tony sang while waiting on tables, and then enlisted in the Army during World War II. While in Europe he performed with military bands. He later had vocal studies at the American Theatre Wing School. The first time Bennett sang in a nightclub was in 1946 when he sat in with trombonist Tyree Glenn at the Shangri-La in Astoria. Bennett’s big break came in 1949 when comedian Bob Hope noticed him working with Pearl Bailey in Greenwich Village in New York City. As Bennett recalls, “Bob Hope came down to check out my act. He liked my singing so much that after the show he came back to see me in my dressing room and said, ‘Come on kid, you’re going to come to the Paramount and sing with me.’ But first he told me he didn’t care for my stage name (Joe Bari) and asked me what my real name was. I told him, ‘My name is Anthony Dominick Benedetto’ and he said, ‘We’ll call you Tony Bennett.’ And that’s how it happened. A new Americanized name—the start of a wonderful career and a glorious adventure that has continued for over 60 years.”

    With millions of records sold worldwide and platinum and gold albums to his credit, Bennett has received seventeen Grammy Awards—including a 1995 Grammy for Record of the Year for his “MTV Unplugged” CD, which introduced this American master to a whole new generation—and the Grammy Lifetime Award. His 2007 prime-time special, “Tony Bennett: An American Classic,” won seven Emmy Awards. His initial successes came via a string of Columbia singles in the early 1950’s, including such chart-toppers as “Because of You,” “Rags to Riches,” and a remake of Hank Williams “Cold, Cold Heart.” He had 24 songs in the Top 40, including “I Wanna Be Around,” “The Good Life,” “Who Can I Turn To (When Nobody Needs Me)” and his signature song, “I Left My Heart In San Francisco,” which garnered him two Grammy Awards.

    Tony Bennett is one of a handful of artists to have new albums charting in the 50’s, 60’s, 70’s, 80’s, 90’s, and now in the first two decades of the 21st century. He has introduced a multitude of songs into the Great American Songbook that have since become standards for pop music. He has toured the world to sold out audiences with rave reviews whenever he performs. Bennett re-signed with Columbia Records in 1986 and released the critically acclaimed The Art of Excellence. Since his 1991 show-stopping performance at the Grammy Awards of “When Do The Bells Ring For Me,” from his Astoria album, he has received a string of Grammy Awards for releases including Stepping Out, Perfectly Frank, and MTV Unplugged.

    In the new millennium, Bennett’s artistry and popularity was higher than ever. In 2006, the year of his 80th birthday, his Duets: An American Classic was released. The album—which included performances with Paul McCartney, Elton John, Barbra Streisand, Bono, and others—won three Grammy Awards and went on to be one of the best selling CDs of the year and Tony’s career. Bennett’s first Duets album also inspired the Rob Marshall-directed television special Tony Bennett: An American Classic which won seven Emmys making it the most honored program at the 2007 Emmy Awards.

    In celebration of his 85th birthday in 2011, the release of Bennett’s highly anticipated Duets II featured Tony performing with a new roster of celebrated artists including the late Amy Winehouse (her last recording was their duet of “Body and Soul”), Michael Bublé, Aretha Franklin, Josh Groban, Lady Gaga, John Mayer, and many others. Duets II debuted at #1 on the Billboard Album charts, making Tony the only artist at the age of 85 to achieve this in the history of recorded music. Bennett won two Grammys for Duets II in the 2012 Grammy ceremony and this year marked the 50th Anniversary of the recording and release of his signature song, “I Left My Heart in San Francisco.” A documentary entitled THE ZEN OF BENNETT, which was created and conceived by Danny Bennett, Tony’s son and manager, was premiered at the Tribeca Film Festival in 2012. At the end of 2012, Bennett also authored his fourth book, the New York Times bestseller, LIFE IS A GIFT, which highlights his personal philosophies learned throughout his life and career.

    Tony Bennett became a Kennedy Center Honoree in 2005, was named an NEA Jazz Master in January of 2006, a Citizen of the World award from the United Nations and a Billboard Magazine Century Award in honor of his outstanding contributions to music. Tony Bennett is a dedicated painter whose interest in art began as a child. He continues to paint every day, even as he tours internationally. He has exhibited his work in galleries around the world. The United Nations has commissioned him for two paintings, including one for their 50th anniversary. His original painting, “Homage to Hockney,” is on permanent display at the Butler Institute of American Art and the landmark National Arts Club in New York is home to Tony’s painting “Boy on Sailboat, Sydney Bay.” Three of his paintings are part of the Smithsonian Museums permanent collections including his portrait of his friend Duke Ellington that became part of the National Portrait Gallery’s collection in 2009.

    Throughout his career, Tony Bennett has always put his heart and time into humanitarian concerns. He has raised millions of dollars for the Juvenile Diabetes Foundation, which established a research fund in his name. His original paintings each year grace the cover of the American Cancer Society’s annual holiday greeting card, proceeds from which are earmarked for cancer research. He is active in environmental concerns and social justice. He marched with Dr. King in the historical Selma to Montgomery Civil Rights movement and the Martin Luther King Center in Atlanta bestowed upon him their “Salute to Greatness Award” for his efforts in fighting racial discrimination.

    In 1999, Tony Bennett, with his wife Susan Benedetto, a former public school teacher, founded Exploring the Arts (ETA) to strengthen the role of the arts in public high school education. ETA connects private funders, individual artists, and cultural institutions to Partner Schools to achieve greater equality of resources and opportunity for youth of all means and backgrounds. ETA programs are designed to help school principals and teachers sustain the arts in the face of budget cuts and better leverage the arts to strengthen student learning and engagement. ETA’s first endeavor was the establishment of Frank Sinatra School of the Arts (FSSA), a public high school founded in 2001 by Tony and Susan in partnership with the NYC Department of Education. FSSA is housed in a newly constructed building in Tony’s hometown of Astoria, Queens. Its state of the art facilities include visual art studios and a gallery, black box theatres and a stagecraft workshop, dance studios, choral and orchestral classrooms, an 800-seat concert hall, a multi-media technology lab, and a rooftop performance garden. All students major in Dance, Theatre, Film, Fine Art, Vocal or Instrumental Music. FSSA also offers a rigorous academic curriculum and holds one of the highest graduation and college enrollment rates for NYC public high schools. ETA continued beyond its commitment to FSSA to expand their support and to date, ETA currently partners with 17 public high schools—14 in all five boroughs of New York City and 3 schools located in East Los Angeles.

    Today Tony Bennett’s artistry and accomplishments are applauded here at home and all over the world from people from 12 to 90 years old. Recently former President Bill Clinton observed, “Now in his seventh decade of singing, Tony Bennett has somehow kept his unique voice, with its beauty and range, its strength and style, and still in perfect pitch. But as talented as he is, Tony’s most impressive quality is his giving spirit!”

    zenofbennett.com

    Help Tony Bennett, on his birthday to keep giving he gift of Art. exploringthearts.org

    Enjoy this amazing show of this incredible life.  It is long and so, so rich.